Story: Sho Kawajiri (Eita) is a teenager without any perspective in life, but one day he gets a visit by his father. He tells him that Sho had an aunt he never knew of and who is now deceased. Sho's father asks his son to clear out the apartment of his aunt Matsuko (Miki Nakatani), whereas by doing so the teenager finds out more and more about the woman who was his aunt and has been found murdered in a park a few days ago. Was Matsuko's life really without a meaning as his father is thinking?

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And why did his father never mention her? Matsuko was a very popular teacher back in her days, who wasn't only admired because of her beauty, but also because of her wonderful voice. However, one day one of her students is accused of having stolen some money from the local inn keeper. Even though Matsuko is having a serious word with the culprit, the thief won't confess. Therefore, the teacher is forced to give back the money herself in order to clear up the issue.

She 'borrows' some money from her roommate and tells the inn keeper that she was actually the thief. The consequences are that she gets fired because being a two-time thief. After this, Matsuko's life is going down the drain. Her father favors her sister over her and never gives Matsuko any attention, which is why she flees home, eventually. Thereafter, Matsuko is leading a turbulent life and always ends up with the wrong guys. She gets mistreated, gets in contact with prostitution and even commits a murder. However, Matsuko is actually just a woman who wants to see everybody satisfied and happy.

Review: It's difficult to write an objective review about a movie that impressed me so much as 'Memories of Matsuko' did. This tragi-comedy by director Tetsuya Nakashima is a mix of 'Forrest Gump', 'Amelie from Montmartre' and a music-video/musical. Nakashima takes us on a rollercoaster ride of emotions and tells us the epic tale of the tragic heroine Matsuko in candy-coloured and fairy tale-like pictures - the sort of you've never seen before. But 'Memories of Matsuko' isn't only a masterpiece on a visual level. The film manages to be a bitter and gruesome tale in a dreamlike multicolored wrapping, while at the same time also making the audience laugh out loud. Tascam Cd 450 Service Manual. There really aren't many tragicomedies that can claim to have successfully pulled that off, but this one really does, and even ascends to the throne of the genre.

Since his great and wacky 'Kamikaze Girls' I knew that Nakashima is a director who derserves that you keeps your eyes open for his future works. With joy, even though somewhat late, I found out that he made a new movie.

The expectations were quite high, but Nakashima actually exceeded them with ease. It's just breathtaking how much visual creativeness he shows in his movie. The film looks like a colorful fairy tale, whereas every singly frame seems to be right out of a picture book.

Download Tutorial Autocad 2014 Bahasa Indonesia Ke. The ones in charge for the sets and pictures really had their fun in covering everything on screen with an endless supply of pails of colors. The director leaves no doubt that he has an incredible eye for even the smallest of details. It seems as if he composed every single picture with great care.

The effort and fantasy that has been put into this work is simply awesome. Thanks to the way Nakashima tells his story he also can make full use of his ideas. The Dumb Waiter Harold Pinter Pdf. There is everything to be found here, from drawn birds, to artificial meadows covered by flowers, to a great lighting technique, to inventive and superior camera work. 'Memories of Matsuko' oftentimes looks like a fast-cut music video, and as already said delivers an overkill of the whole color palette.

It also stands out because of different directing methods, which apparently differ depending on which decade the movie is depicting. How multiplexed the film actually is when it comes to the visuals is also especially apparent in the different musical insertions, which all prove to be little masterpieces even on their own. This ranges from a musical-like video when we get to know more about Matsuko's past as an almost-prostitute, including garish colors and fast editing, to a happy-life 60s piece with the fitting title 'Happy Wednesday', to a MTV-like R'n'B video in prison, which scores with a great choreography and little bit more dark and somber colors.