This publication has been generously supported by Simon Fraser University through the Research Opportunities Committee, Faculty of Education and through a serial publications fund grant awarded by the University Publications Committee. ISSN 1923-2691 Our Mission Statement Loading. Attempts to provide a mixed-methods approach to the study of digital games, and therefore invites not only traditional academic papers, but may reprint 'classic' works in the field, as well as provide a forum for machinima, new and open-source innovative code, product reviews, blogs, program descriptions and course outlines for games studies and 'conversations' within and across the trajectories of inquiry and activity that constitute Canadian Games Studies now and into the future. A print-based and online journal, Loading. Publishes empirical, theoretical, and design-based research on the multifaceted, multimodal, interdisciplinary subject of digital games. It invites papers which approach research and scholarship in the field of game studies from its many angles: social, cultural, technical, theoretical, procedural, artistic. The journal aims to support current and future interdisciplinary, multi-method and multimodal approaches to the study of digital games.

Its principal goal is to support both the established and fledgling work of Canadian scholars, to give them a voice on the international scene of game studies, and to establish a uniquely Canadian voice in a field that is currently described as a polarization of perspectives between the United States and Europe. Will support the valuable contribution of Canadian scholarship in directing and shaping this burgeoning field.

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The vampire, like any sort of Gothic monster, operates as a conduit for various societal pressures. However, the vampire is seen as particularly adaptable in how it restructures itself as a figure of fear in multiple time periods. This work examines the various forms and fears the lesbian vampire embodies and why society is continually fascinated with such a figure. One of the key texts in my project is Sheridan LeFanu’s novella, Carmilla, published in 1872. LeFanu’s story predates Bram Stoker’s Dracula, and is one of the first major explorations of the lesbian vampire trope including victimology, seduction tactics, and even popular adversaries. Although there are many adaptations which feature a lesbian vampire, my project will be limited to Scott’s film The Hunger, produced in 1983, and season one of the recent Youtube series, Carmilla, produced in 2014.

In these various adaptations, I have noted a cycle of violence surrounding the vampire, her adversaries, and victims. Franco Belge Lorraine Manual Transfer on this page. What is interesting is how this cycle seems to change with each adaptation of the lesbian vampire’s story depending on the time the story is set in. What is interesting about this trend of shifting cycles and loci of violence is what happens to them when society begins to accept the lesbian vampire and no longer fears her.